Sat March 1, 2014
Choreographies of Creation and Destruction
SEE EVENT DETAILS
at Center for New Music
(see times)
Presented in association with ShapeShifters Cinema and Stanford University’s Thomas Welton Stanford Art Gallery.
In Apparent Motion 2012—the performance cinema centerpiece to that year’s CROSSROADS film festival—British artist Greg Pope brought down the house with the 16mm Cipher Screen, his two-projector masterwork of erasure and construction. For a follow-up appearance Pope returns to the Bay Area for a series of expanded cinema performances with live sound collaboration at Stanford University, ShapeShifters Cinema and Cinematheque. Tonight’s program features Pope’s his dual-slide projector piece Celluloid, a slide projector-based flicker film, a “celluloid ghost,” a proto-cinematic excursion through the detritus of industrial cinema. Live soundtrack to Celluloid to be performed by local electroacoustic ensemble Voicehandler. Single-channel films by Pope—including Mass Observation, Moon Walk and Incidence Room—will also screen. Preceding Pope is the Bay Area’s own John Davis with his sound/image amalgams and live slo-motion image analysis, presented with the live sonic accompaniment of Joshua Churchill. (Steve Polta)
Distortions, ghostly reverberations, and ambient notes hang in the air and ethereal chords plunge into darkness before the moving images on screen, adding drama to frames that appear on fire. Fleeting sun shadows move across the film. The two elements together create a simply captivating experience, completely immersing the audience into a land of airy projector light with sounds that fill the space like a weather pattern. (Amanda Roscoe Mayo, on John Davis and Joshua Churchill)
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In Apparent Motion 2012—the performance cinema centerpiece to that year’s CROSSROADS film festival—British artist Greg Pope brought down the house with the 16mm Cipher Screen, his two-projector masterwork of erasure and construction. For a follow-up appearance Pope returns to the Bay Area for a series of expanded cinema performances with live sound collaboration at Stanford University, ShapeShifters Cinema and Cinematheque. Tonight’s program features Pope’s his dual-slide projector piece Celluloid, a slide projector-based flicker film, a “celluloid ghost,” a proto-cinematic excursion through the detritus of industrial cinema. Live soundtrack to Celluloid to be performed by local electroacoustic ensemble Voicehandler. Single-channel films by Pope—including Mass Observation, Moon Walk and Incidence Room—will also screen. Preceding Pope is the Bay Area’s own John Davis with his sound/image amalgams and live slo-motion image analysis, presented with the live sonic accompaniment of Joshua Churchill. (Steve Polta)
Distortions, ghostly reverberations, and ambient notes hang in the air and ethereal chords plunge into darkness before the moving images on screen, adding drama to frames that appear on fire. Fleeting sun shadows move across the film. The two elements together create a simply captivating experience, completely immersing the audience into a land of airy projector light with sounds that fill the space like a weather pattern. (Amanda Roscoe Mayo, on John Davis and Joshua Churchill)
Presented in association with ShapeShifters Cinema and Stanford University’s Thomas Welton Stanford Art Gallery.
In Apparent Motion 2012—the performance cinema centerpiece to that year’s CROSSROADS film festival—British artist Greg Pope brought down the house with the 16mm Cipher Screen, his two-projector masterwork of erasure and construction. For a follow-up appearance Pope returns to the Bay Area for a series of expanded cinema performances with live sound collaboration at Stanford University, ShapeShifters Cinema and Cinematheque. Tonight’s program features Pope’s his dual-slide projector piece Celluloid, a slide projector-based flicker film, a “celluloid ghost,” a proto-cinematic excursion through the detritus of industrial cinema. Live soundtrack to Celluloid to be performed by local electroacoustic ensemble Voicehandler. Single-channel films by Pope—including Mass Observation, Moon Walk and Incidence Room—will also screen. Preceding Pope is the Bay Area’s own John Davis with his sound/image amalgams and live slo-motion image analysis, presented with the live sonic accompaniment of Joshua Churchill. (Steve Polta)
Distortions, ghostly reverberations, and ambient notes hang in the air and ethereal chords plunge into darkness before the moving images on screen, adding drama to frames that appear on fire. Fleeting sun shadows move across the film. The two elements together create a simply captivating experience, completely immersing the audience into a land of airy projector light with sounds that fill the space like a weather pattern. (Amanda Roscoe Mayo, on John Davis and Joshua Churchill)
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In Apparent Motion 2012—the performance cinema centerpiece to that year’s CROSSROADS film festival—British artist Greg Pope brought down the house with the 16mm Cipher Screen, his two-projector masterwork of erasure and construction. For a follow-up appearance Pope returns to the Bay Area for a series of expanded cinema performances with live sound collaboration at Stanford University, ShapeShifters Cinema and Cinematheque. Tonight’s program features Pope’s his dual-slide projector piece Celluloid, a slide projector-based flicker film, a “celluloid ghost,” a proto-cinematic excursion through the detritus of industrial cinema. Live soundtrack to Celluloid to be performed by local electroacoustic ensemble Voicehandler. Single-channel films by Pope—including Mass Observation, Moon Walk and Incidence Room—will also screen. Preceding Pope is the Bay Area’s own John Davis with his sound/image amalgams and live slo-motion image analysis, presented with the live sonic accompaniment of Joshua Churchill. (Steve Polta)
Distortions, ghostly reverberations, and ambient notes hang in the air and ethereal chords plunge into darkness before the moving images on screen, adding drama to frames that appear on fire. Fleeting sun shadows move across the film. The two elements together create a simply captivating experience, completely immersing the audience into a land of airy projector light with sounds that fill the space like a weather pattern. (Amanda Roscoe Mayo, on John Davis and Joshua Churchill)
show less
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Center for New Music
55 Taylor Street, San Francisco, CA 94102
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